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Response

by Mary Sauvé, Teacher - Chateauguay Valley Regional High School

Literacy today has taken on a newer, broader perspective. It is no longer defined as simply reading and writing in print. It includes technology, images, movies, the Internet and more. According to Louise Rosenblatt in Literature as Exploration , response to literature has many purposes:

  • To contextualize students within the framework of the piece being studied. Students may investigate the biographical, historical, and/or literary background to the text to better understand it.
  • To help students mediate their role in society as individuals, developing his/her own values by reflecting on a variety of stimuli.
  • To encourage students to think critically about what they read and to have confidence in their interpretations.
  • To learn to empathize and wonder about the human condition.

Rosenblatt's main premise is that as readers we are inseparable from our personal, socioeconomic, ethnographic, social identities and we bring all of our knowledge and experience to whatever we read. It is filtered through our experience base. Herein lies the value of response - to explore, to share, to reflect, and to learn. Interestingly the "steps" involved in current response theory follow a hierarchy of thinking skills. So now it becomes a way of thinking and connoting information in addition to exploring and expanding views of self and the world.

One way to look at this was created by Susan Schwartz and Maxine Bone in Retelling, Relating, and Reflecting. They combined these three Rs and Bloom's Taxonomy. The expected outcomes would range according to the child's developmental level, but at their level students should aim for the highest order thinking and be exposed to activities which correspond and challenge them. This theory comes from Piaget , arguably a founder of Constructivism, a student-centered learning theory which emphasizes prior knowledge and experiences, group sharing, using many strategies, and situation specific. In effect, knowledge is socially constructed.

A response can come in many forms. It's not necessarily the form which is evaluated, rather the content and how the child arrived at his/her expression. Within the MEQ ELA Programme, there are three functions of language: Expressive, Poetic, and Transactional. Response falls under the Expressive category and serves as "Seeds for Writing", or a literary sketchpad where students can freely express themselves and use what is of interest to them to develop further polished work.

The Functions of Language

Students are expected to express themselves in a myriad of ways by the time they leave high school. The English Language Arts curriculum has broken this variety into numerous categories according to the social functions of text: Planning, Reflective, Narrative, Explanatory, Reports, and Expository. The key differences appear in the intended audiences and the purposes for the works. Students msut be able to write differently on the same topic, a piece of literature in their exam booklet. If all the pieces sound or look the same, the student has not understood the differentiation between task and purpose.

Reflective

This is a springboard to other forms of writing. Grammar does not count, understanding, connections, and insight do. The release of thoughts and feelings without self-censorship, freeing the mind, helps to explore areas of imagination and creativity. This is personal writing, commonly written in the first person. The intended audience is self and the purpose merely to express views, thoughts, and feelings on events, ideas, literary notions... "the more you learn to express yourself the more you are willing to take risks and become conficent in your own interpretations". (K. Faubert)

* journals, diaries and responses

Narrative

Creative writing does not always have a specific audience. Creative writing "exists for its own sake...s an art medium" (Writing V) "Poetic writing is usually an author's interpretation of an event, an emotion, an issue, or an object. All poetic writing is fictional and written in the person chosen by the author." (A. Ransom-Hodges) It shows creativity and individuality, imagination and originality. Authors often start with what they know and write to engage an audience.

* poem, short story, monologue, script, cartoon, song, novel, murals, mime, film,personal essay, descriptive essay, narrative essay, jokes, graffiti, sketches, memoir, reminiscence, children's book/story, prayer, inspirational poster, fable, myth, legend, parable, allegory.

Planning, Explanatory, Reports, Expository

This is formal writing for a specific audience, for a specific reason , and on a specific topic. Non-artistic and factual, it makes a point and has support. Commonly written in the third person, it is writing to get a job done: to interpret literature, analyse, inform, persuade, expose, argue, convince, educate, or to get a message across.

* news, articles, biography, ads, CD cover, book jackets, letters, research paper, report, review, literary essay, persuasive essay, argumentative essay, interview, protest, speech, letter to editor, editorial, columns, profile, invitation, notes, resume, photoessay, autobiography, confessions, obituary, feature/human interest story, legal brief, sermon, ship's log, book report, minutes, instructions, documentary.

Sources
Portfolios by Kelly Faubert and Arianne Ransom-Hodges - MEQ Information Document re: Secondary V Leaving Exam - MEQ Secondary School Curriculum: ELA Writing V - Principles of Writing by Florence Gogins

Why do this in your classroom? Students say that this is their favourite part because they are free to express themselves without judgment. Many students feel they learn a great deal about themselves and learn to understand others better in the process. They also learn to grab all the inspiration they can, and write it down in case they could use it later. Students have also said that while chapter questions may check whether or not they read the book, responses check whether or not they understood what they read. (Taken from Sec. II portfolio reflections) Students learn to make connections, relate personally, judge and evaluate, summarize, innovate new means of expression and more. In short, response is valuable because it fosters critical and creative thinking abilities directly enhancing the development of a unique and independent voice in each child.

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